Acoustic Basics - Body Shape

An acoustic guitar's body shape, size and construction determine its' sound and character with, in general, bigger guitars typically deliver more volume. And while the size may play a huge role on the volume, the overall design and construction of a guitar body has a greater impact on tone than size or shape alone.

Acoustic guitars come in a variety of sizes, ranging from diminutive parlor to the mighty Jumbo with each manufacturer adding their own variations to these and the sizes in between. One common defining characteristic is the width, measured at the lower bout which is the widest part of a typical guitar's body, and the upper bout - or the section of the body that is closer to the neck.

Before we touch upon the different body shapes of guitars, it's important to keep in mind that acoustic guitars, even of the same body size, may also vary in depth. Deeper guitars (up to about 4 " inches) generally offer more bass and volume, while shallower guitars are more used to accentuate the midrange and high end sounds. Shallower guitars are also preferred for acoustic-electrics because they are less likely to feedback in a live setting.

Below are the most common body sizes offered by today's manufacturers:


Acoustic Guitar Body Shape Chart
With a few exceptions, the parlor is the smallest acoustic guitar body size. Measuring about 13 inches at the lower bout, parlor guitars generally also have necks that meet the body at the 12th fret. Parlor guitars tend to have an intimate voice perfect for light fingerpicking, and because they're comfortable to hold, they are an excellent choice for smaller players.

Classical Size

Based on the the design of Spanish luthier Antonio Torres in the mid 1800s, classical guitars are similar in proportions to the parlor yet considerably larger on the upper bout with deeper depth. Classical guitars are generally smaller than the more modern steel string acoustics.

Their compact proportions have a purpose of course: since proper classical playing position dictates the body and neck to be angled upward, the size of the body needs to be a manageable size, able to fit in a pocket between the players chest and knees.

Concert (O)*

Measuring about 13" at the lower bout, O-size guitars were considered large when they were introduced in the mid-19th century. Today, they are an excellent bridge between a parlor - which some players find too small-and larger guitars, offering great playability and intimate tones.

Grand Concert (OO)*

Typically measuring about 14" at the lower bout, the OO's larger dimensions produce a more muscular voice that works well for a variety of playing styles. This size is often used for acoustic-electric guitars because it offers a balance between good acoustic sound and controlled resonance when amplified.

Auditorium / Orchestra Model / Grand Auditorium (OOO/OM/GA)*

OOO-size (aka OM for Orchestra Model or GA for Grand Auditorium) guitars measure about 15" at the lower bout. This size has become the blueprint for many "small bodied" guitars and produces a great balance between volume, tonal balance and playing comfort. The OM designation was pioneered by Martin and is identical in body size to a OOO, but with a slightly longer neck and wider nut (typically 1" instead of 11116" of the OOO and GA).


Introduced by Martin & Co. in the 1920's, the Dreadnought is the most popular body shape of all and is THE perennial bluegrass favorite. Surpassed in size only by the Jumbo, the Dreadnought was named for its large size after the British battleship H.M.S. Dreadnought. It measures 1558" at the lower bout with a waist that's less pronounced than other acoustic body shapes.

Dreadnoughts are also typically quite deep, resulting in a lot more volume and a meaty, muscular voice. And while this size guitar is suited for flatpicking, the dreadnought can be quite versatile, and many players use it for strumming and fingerstyle playing alike.


Measuring about 161116" at the lower bout, the Jumbo guitar was introduced by Gibson Guitar as the extremely popular J-200 model in 1936. Inspired by the singing cowboy movie star Ray Corrigan this guitars has been less defined in its' tonality but more so with the country and rock-a-billy stars that were playing them.

Jumbo's are perfect strummers, project loudly and are a great guitar for sitting around a campfire. Guitar-makers use the body style as a starting point for lightly braced finger-style guitars.

Student Guitar Sizes

While we've found a fairly wide amount of variability, most manufacturers use the quarter sized system of classification for their Student Sized Acoustic Guitars. Based on the Classical Guitar design, this system establishes full size as 4/4, with the smaller guitars, like orchestral instruments, graded in quarters rather than random terms - the smallest of which is the 1/4 sized instruments.

These proportions are generally differentiated by Scale Length or the length from the Bridge to the Nut. To give an example of the difference in scale sizes, a typical 1/4 size instrument from Jasmine Guitars (Takamine) has a scale length of 572 mm (about 22.5") while the full size classical guitar has a scale length between 650 and 660mm (about 25.5").

Based on these differences in scale length, the guitar manufacturer will normally size the body, neck and nut width proportionally.

*At least two different naming conventions are used to describe small-to-mid sized guitars. The Martin-derived O,OO and OOO/OM denote guitars from small to large. The terms Concert, Grand Concert and Auditorium (sometimes Grand Auditorium) generally correspond to Martin's naming convention.

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